Desire, in part,
seems to be based on a need to constitute the self (and not necessarily a
desire for the other). Bodies are
fragmented and detached in Loving—“Kate’s
arms lay along her purple uniformed sides” (88) and “One of his [Raunce’s] arms
fell across her lap. He lifted it
off at once”(103)—suggesting that the desire for others through mimicry and
repetition really is, perhaps, a desire for self. Edith is distraught when Raunce appears disinterested in her
news about the Captain and Mrs. Jack: he claims that he is going to “try and take it from her”
(80), demonstrating how this discovery has become not only a possession but
also a constitution of self. (it
is only “hers” when she tells of this
secret, which, ironically, causes this “self-knowledge” to become common
knowledge). Raunce undermines
Edith’s sense of self in this passage by discrediting the significance of her
witnessing the event and caring about it enough for it to become a “possession.” He repeats twice “What they do is no
concern of us” (80), undermining not only Edith’s agency in this passage but
also contributing to the devaluation of the “work” or “labor” that occurs
throughout the text (since the work of the servants—namely, to provide for
their masters—revolves precisely
around such concerns). It should
be noted, however, that Raunce’s repetition of this line further highlights its
irony.
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