Something I noticed throughout the novel “Voyage in the Dark”
was the strange way Rhys structured dialogue throughout the novel. It was
fairly inconsistent; while I can’t recall any exact examples, there were
numerous times where the dialogue of multiple characters was all in the same
paragraph. At other times, the dialogue was more spread out. Not only would the
lines of other characters be separated, but a character’s sentences may be
divided into several different new lines.
Personally, I thought that the
strange presentation gave the reader a look into Anna’s current frame of mind.
When the dialogue, regardless of character, was jumbled into the same
paragraph, it gave a frantic sense to everything. At these points, it gave the
impression that Anna wasn’t paying complete attention and was a bit apathetic
to everything that was going on around her. When the dialogue was more
separated, it gave the impression once again that Anna wasn’t paying attention,
but in a different way. While the jumbled dialogue was Anna in more of a “daydream”
state, the separated dialogue gives the sense that time is passing, that the
character who is speaking has said more which Anna has missed or wasn’t
conscious to hear. It seems to point more toward a health problem than Anna’s
mental state of mind.
The strange use of dialogue made
reading “Voyage in the Dark” more interesting and intriguing. It wouldn’t have
quite been the same if the dialogue was set up in a more uniform manner.
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